Read more about the article Finding Your Creative Medium
It's time to settle down, my little jellybean.

Finding Your Creative Medium

. . . The point is, you start off small in the amateur stage. And once you slowly begin to find our footing, you explore. Your creative scope begins to expand, ever so slowly—as does your sense of exploration. Different styles and mediums begin to influence your work. And then one day, when you least expect it, your creative medium slaps you across the face. It could be a love-at-first-sight type of slap. Your first time using soft-core colored pencils for instance and then, boom, instant adoration for the medium. Or it could be a relationship full of exasperation to start. Writing off, say, acrylics out of frustration, only to be drawn back to them later down the line. . .

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Read more about the article The Truth About Learning How to Draw – What No One Tells You
Let's address the elephant in the room. . .

The Truth About Learning How to Draw – What No One Tells You

Let's be real for a second here. What is it like to learn art as an adult? When you ask people how long they've been drawing for, they typically answer with "for as long as I can remember". And don't get me wrong, it's a beautiful thing to pick up on your creativity at a young age. . .

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Read more about the article Learning Art as an Adult
If you touch her, you'll most certainly get burned.

Learning Art as an Adult

Especially as adults, it's mentally and emotionally challenging to begin something from square one. More specifically, it's difficult to admit to being genuinely bad at something when starting out. Young people make mistakes—it's inherent. Adults on the other hand, are supposed to have everything together. We have unlocked the secrets to succeeding in school and work (or at least being exceptionally average), that being genuinely bad at something has become a foreign concept—it's frustrating, disheartening, and it's unfortunately enough to make so many people quit before they see the slightest improvement in their work. . .

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